We're talking plenty about separating art from the artist. What if the art is what allowed an artist to prey?
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When a clip surfaced in 2016 of director Bernardo Bertolucci describing the way he and actor Marlon Brando plotted the rape scene in 1972’s “Last Tango in Paris,” the movie, to my mind, was no longer art. It was a weapon. In the clip, recorded in 2013, Bertolucci says he and Brando didn’t tell...
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