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It is hard to miss James Orr — with his slicked-back mane of blond hair, booming voice and all the confidence of a Wykehamist and an Oxford Balliol graduate, he could easily play the quintessential stage Englishman in a stage adaptation of Agatha Christie. A hybrid of academic and ideologue, he may yet turn out to be one of the most influential behind-the scenes voices in establishing a UK version of American Christian conservatism, allied to the rise of Reform UK.