Burt Bacharach an astonishing creator of impermeable classics and super smooth pop

over 2 years in The guardian

He was dubbed ‘easy listening’ but this was nonsense. His dazzling music, a result of classical tuition and nights in bebop clubs, defied categories – and made stars of soul singers, rock bands and mum-friendly croonersBurt Bacharach, master of pop songwriting, dies aged 94Burt Bacharach obituaryWith the arrival of rock’n’roll, pop music divided, broadly speaking, into two categories. There was music aimed squarely at the recently discovered teenager that frequently seemed to have the specific intention of alienating their forebears. And then there was the music that carried on much as it had in the years between the end of the second world war and the appearance of Bill Haley, Elvis Presley, Little Richard et al. Look at the charts from 1952 or 1953, and they’re packed with songs that seem to target an older demographic, who didn’t want shock or rebellion or white-hot excitement, but something to soothe or buoy them along, what eventually became known as easy listening.The twain very seldom met: if anything, the divide became more pronounced as the 1960s wore on and a cocktail of new technology and new drugs meant the music aimed at teenagers became more adventurous, strange and innovative. Look at the charts from 1966 or 1967 and you’ll find a stark split: Strawberry Fields Forever and Purple Haze versus Engelbert Humperdinck and Ken Dodd’s Tears. Continue reading...

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