Romance, 14th century style why cinema has fallen for courtly love
over 3 years in The guardian
From Cyrano to The Last Duel, the world of medieval chivalry is big on screen – and its preoccupation with appearances isn’t so far from our own Against our backdrop of revenge porn, dick pic-strewn online dating and embittered incel manifestos, the notion of courtly love couldn’t seem more remote. Cilla Black and Blind Date now seem like something from medieval times – so where does that leave an actual medieval sentimental convention? A goodly knight inspired to perform virtuous deeds and compose the sublimest verse in honour of an idealised lady-love – it’s enough to make a 21st-century onanist yawn and reach for their Fleshlight.But romance and chivalry aren’t quite dead yet. Cyrano de Bergerac is back in a new musical version this month, as Peter Dinklage lends his alexandrines to help a mate woo the beautiful Roxanne. Married off to no-nonsense bruiser Matt Damon in Ridley Scott’s 14th-century drama The Last Duel, Jodie Comer’s sequestered damsel becomes subject to the attentions of courtly smooth operator Adam Driver. And a silky-voiced consort, played by Alicia Vikander, gave Sir Dev of Patel’s mettle the stiffest of examinations in the penultimate trial of last year’s The Green Knight. Continue reading...