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As his new play opens, the eminent writer on where documentary ends and drama beginsI still own a painting that I purchased at a flea market in Los Angeles in 1993. I got it cheap; $25 and it was in the back of my clapped-out convertible . It turned out to be a copy of Bronzino’s Portrait of a Young Man with a Book. In 16th-century Florence, if you wanted your portrait painted then he was your man, for one simple reason: he made you look great. His particular gift – and shrewd commercial decision – was to imbue his wealthy subjects with swagger, confidence and even a certain weight loss.Three centuries before you could sit before a photographer and more than four before you could take a selfie, rich Florentines would sit still for days and trust that Bronzino would do for them what he’d done for their wealthy neighbours, for Dante. It paid to flatter. Continue reading...