Variety's apology to Carey Mulligan shows that the critic's ivory tower is toppling Peter Bradshaw

almost 5 years in The guardian

It may be timid and half-baked, but the magazine’s mea culpa is evidence of shifting dynamics in a post-#MeToo film industry
Until relatively recently, an apology in the arts review columns of any publication was vanishingly rare, if not non-existent. If crow had to be eaten, it would be the end result of some unprecedented legal action in which defendant and plaintiff had grimly established – through a poker-game exchange of solicitor’s letters – what the likely outcome would be in court.
In the immortal words of Christopher Hitchens: 'Apologies are a bore. What we want is an explanation' Continue reading...

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