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LEIPZIG, Germany — Last spring, the German newspaper Die Zeit received a surprising piece of reader mail, from Neo Rauch, one of the country’s best-known artists. It wasn’t a letter, but a photograph of a large painting he had produced in response to a recent article.
The article, by the art historian Wolfgang Ullrich, argued that Mr. Rauch was contributing to a rightward tilt in the country’s art scene, and pointed to public statements Mr. Rauch had made criticizing political correctness and railing against activists’ “Talibanization” of daily life.
These positions are also reflected in his art, Mr. Ullrich wrote,

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